"STREAM of CONSCIOUSNESS" is one of the modern TECHNIQUEs for narrating a story which has been of particular notice to the story writers, especially in the last century. This method is one of the most prominent methods in narrating a story and writing psychological novels, but despite what might be imagined by some of the readers of this article, this TECHNIQUE differs with "inner whisper" and "mental analysis" TECHNIQUEs. Actually the first psychological stories, or in other words the initial appearance of these stories was in the form of "inner whisper" which gradually developed and later on found its form as our discussion conveys in both story form and modern novels. This article makes an" attempt to offer a clear and precise definition of this TECHNIQUE, while it discusses its methods and characteristics, added to the basic principles and the psychological principles of the related TECHNIQUE.

Some of Molavi’s ghazals have specific features that guide readers’ mind through intellectual basics of STREAM of CONSCIOUSNESS works. The study reviewed the category of Time in Molavi’s ghazals using theoretical bases of this TECHNIQUE about Time. Research hypothesis is as follows: time warps, repetitive round trips to past and present time during every Ghazal and the importance of present time in creation moment of Molavi’s poem.We can divide time in his Ghazals, in a general categorization, to two linear-continuous and nonlinear- discontinuous kinds. Second kind of time closes Ghazals to STREAM of CONSCIOUSNESS works. Measuring basis for time warps is start moment of Ghazal in the study. Molavi, based on rule of free association dominating his mental domain travels from present to past, past to present, and in some cases, travels to future reviewing past mementos and in some cases, time warps and round trips to past and present are so fast and continuous. This issue can affect language, narrative methods, kind of imagery and other cases in Ghazal.

The STREAM of CONSCIOUSNESS stories are called sometimes as time stories, due to its special approach toward the concept of time. In such stories, present and future times are removed in order to present a revelation from the present time. In such situation, time continuous sequences are replaced by intensive interlinked memories systematized not only based on the time sequentional but based on the depth of the experience. In these stories past, present and future times are also interlinked. The writers of STREAM of CONSCIOUSNESS approached to various types of skills for reflecting the human mind and its adjustment with time. Final return to time, continual change of narration between past, present and future time, long narration from past in form of the whiles limited to present time, continual change of the narration of the story between the persons mind layers of difference and so internal and external time or clock time and mind time, exploiting the reverberations integrating past and present time, unflavored use of verb tense act, are the methods applied to show the various considerations of minds upon the time concept. In this paper when the most important west STREAM of CONSCIOUSNESS stories are studied from the view point of the way for time concept use, it is tried to study the various writers’ special approaches in this regard and then they are compared. Finally, some Persian novels are studied from this view points.

In a STREAM-of-CONSCIOUSNESS novel, the author attempts to pave the way for his audience to encounter the characters’ mental experience directly. The characters’ mental content, which covers various levels of the mind and even reaches its pre-speech layers, is narrated within this variety of levels. Since connection of memories in the pre-speech layers of the mind occurs through association, one of the methods used by writers for showing the mentality of characters is association. In this case association becomes a device in the hands of writers for creating a link between the objective and the subjective world of the characters, in addition to depicting the constant flow of the mind from memory and a mentality, moving then towards another memory and mentality; finally depicting a picture and image which links to other related pictures and images too. This article is essentially concerned with the survey of association and its related features within the prespeech layers of mind, its quality in the STREAM-of-CONSCIOUSNESS stories, in addition to its correspondence with the mind’s mechanism. For this purpose, initially association and its governing rules are expressed, and then the significance of association in the narration of such fictions and its difference with recall is defined. Following this, the manners in which mentalities are offered in different methods of narration are surveyed through giving some examples from these fictions. The results of this research show that among different STREAMof- CONSCIOUSNESS novels, the method of inner monologue shapes associations more than other methods and develops through a high range of associations. Furthermore, utilization of recall of memories and mentalities in inner monologue counts as a weakness due to its contrast with the entity of the pre-speech layers existing in the mind.

Bijan Najdi is the writer who is capable of creating images through which the anxieties of his modern alienated characters are revealed. Through these characters and their mentalities Najdi provides the opportunity to achieve his own other self.This paper analyses the STREAM of CONSCIOUSNESS in Najdi’s short stories and tries to deal with character revelation. The bases for such an analysis are the narrators and their paranoia, the function of time in the mental processes and the psycho-literary symbols. The close study of the texts is the methodology of this paper.

STREAM of CONSCIOUSNESS is one of the modem and common modes of narration in novels. This TECHNIQUE is of great importance among narrative TECHNIQUEs for it undertakes to reproduce the flow of the character's mental process. Here, the reader is not exposed to the speech of other characters, in fact he enters inside the mind of the character, as if the thoughts an feelings of the. character is his own' s. Tharwat Abaza has exploited this TECHNIQUE III different ways and has demonstrated a remarkable delicacy in the art of writing. This study aims to depict the nature of the STREAM of CONSCIOUSNESS, its importance in the structure of Abaza's novels, and the way he has represented the overall state and process of CONSCIOUSNESS in a character.

As the colossal movement of »modernism« in the 20th century bloomed, it dominated all aspects of human life. Literature too, faced a metamorphosis in the form of novel, and emergence of new ways in narration. The term «STREAM of CONSCIOUSNESS» was first used by the American psychologist «William James» in psychology, then entered the field of literature and became one of the modern narrative TECHNIQUEs.The present study has attempted to, first, give a brief description of the main features of the ‘STREAM of CONSCIOUSNESS’, and then, investigate those features in some of the stories written by the contemporary modern Iranian writer, 'Mostafa Mastoor'. In other words, the present paper tries to find the answer to the question of the possibility of classifying some of Mastoor’s stories under the title of "STREAM of CONSCIOUSNESS", as some critics believes.It should be noted that the term 'STREAM of CONSCIOUSNESS' is used for the stories having all or most of the features known for it. Therefore, the selected works of Mastoor's as samples do not mean that they are fully written under the rules of the ‘STREAM of CONSCIOUSNESS’, rather, they aim at probing the strength of its effects in these works.

Before it is considered as a TECHNIQUE in the modern fiction, the "STREAM of CONSCIOUSNESS" was a psychological term used by the American psychologist, William James, on how the formation of memories, thoughts, dreams and emotions of humans occur. Later, authors who based their works on human mind paid attention to his inner world of thoughts and personal emotions; using these ideas, they accomplished the STREAM of CONSCIOUSNESS as a form of story writing.The fields of this method generally include human’s mind and mental reality, modes and manifestations of inner life and true Self, such as thoughts, feelings, fantasies and dreams. Also, the sensing time (non-chronological), which is an inner and ring time, as well as a complex language that is different from the everyday language are of the characteristics of this approach in story writing. Nezami’s "Haft Peykar" (Seven Bodies), in the realm of fiction, is interpretative from different perspectives throughout which human’s original experiences are completely explained and his inner life with all its deeds and manifestations are noticed. Different faces and various voices of a human being, a human’s spiritual contradictions being overcome by the assistance of the inner creative forces, connection of conscious and subconscious, subjective and objective, reality and dream, confusion of time and so on are among the outstanding manifestations of the STREAM of CONSCIOUSNESS in this book. In the present paper, relying on some of the elements of the STREAM of CONSCIOUSNESS and highlighting them, we have made an attempt to deal with Nezami’s “Haft Peykar” and tried to offer a new approach to this story.

This article aims to analyze the novel "the Symphony of the Dead" by Abbas Maroofi Sabet, and prove that it has been composed in a STREAM of CONSCIOUSNESS style, and that it deals with the unconscious layer of peoples thought prior to speech, which at first sight makes it seem ambiguous, disorderly in incidents and chaotic in time, place and grammatical rules. Using internal soliloquy, the first person narrative, and the full omniscient point of view, the author portrays different layers of the characters unconscious mind and internal life. Like the novel, the article ends in a STREAM of CONSCIOUSNESS fashion.

The present article studies one of the new methods of story narration which reviews the constant STREAM of thoughts and feelings inside the minds of the characters of the story. One of the basic objectives of applying this TECHNIQUE is having freedom in the regular elements of theme and plot. Instead of codes the story is based on tangible and touchable realities so that the reader will be able to use his talent and intelligence to understand the intellectual experiences and interpret the codes. SonOllah Ibrahim is among the novelists of 60s in Egypt who has applied this TECHNIQUE in a good way and in the novel “Stalking” he depicts the mixture of social issues with mental realities of the characters. French: Le Flux De Conscience Dans “Altalsess”, L’oeuvre De Sonollah Ibrahim Dans cet article, nous avons essayé d’étudier l’une des nouvelles TECHNIQUEs narratives du récit concernant les pensées et les sentiments des personnages. Cette TECHNIQUE nous permet de choisir librement l’intrigue. Les symboles remplacent les réalités concrètes afin que le lecteur les interprète en recourant à son intelligence. Sonollah Ibrahim est l’un des romanciers égyptiens aux années 60. En profitant de cette TECHNIQUE, il a combiné les réalités sociales avec les images mentales de ses personnages dans son roman Altalsess.Il a mis en cause les réalités sociales en introduisant les événements du passé dans le présent.Keywords: flux de conscience, Altalsess, association libre, flache back German: Fliebende Stromung des Verstandes im Roman “Altlss” Sneh Allah Ibrahim In diesem Artikel wird eine neue Methode in der Erzahlung, die die standige Bewegung des Gedachnis und der innerlichen Gefühle des Mensches untersucht, beachtet.Das hauptsachliche Ziel ist das, die Geschichte richtig zu subtrahieren. Die empfindliche Realitat ersetzt das Geheimnis so lange, dass der Leser seinen Verstnad selbst zur Interpertation der Geschichte benutzt.Sneh Allah Ibrahim ist der Atuor aus der 60er Jahren, der diese Methode sehr gut kannte und in seinen Roman, Altlss stellt eine Mischung aus dem wirklichen Leben und dem unwahrhaftem Leben dar.Er stellt die Vergangenheit in der Gegenwart dar, um seine Gedanken besser zu beschreiben und auch die reale Gesellschaft dadurch heraus zu fordern.keywords: fliessende Stromung des Verstandes, züruck in die Vergangenheit, freie Assoziation, unerhorte Seele   Spanish: Flujo de la conciencia en la novela de   Este articulo se refiere a unos de los métodos técnicos nuevos en la narracion del cuento que reflejan el pensamiento y el sentimiento interno del protagonista de la novela.Uno de los objetivos de esta técnica es libertad ante los elementos cotidianos y rutinarios de las novelas. Basar el secreto se sustituye por la realidad tangible para que el lector pueda adivinar y aprovechar su inteligencia en comprender las experiencias mentales y descubrir los secretos.Sanollah Ibrahim es un novelista egipcio de la década 60, quien conoce aprovechar muy oportunamente esta técnica. En su novela retrata la mezcla de los asuntos reales de la sociedad con las realidades del protagonista. Él intenta poner los accidentes del pasado en el presente, a través de dar esperanza del futuro refleja lo que lleva dentro de la mente y desafia las realidades de su sociedad.Keywords: Flujo de la conciencia, soliloquio, retrospeccion, recordar la libertad   Italian: Italian: Il movimento fluent mentale nel romanzo chiamato “Stelking” di Sanollah Ebrahim   Quest’articolo si occupa di uno dei metodi tecnici del nuovo metodo di raccontare la storia che sono I movimenti durevoli dei pensieri e le emozioni mentali dei personaggi.Lo scopo principale per usare questo tecnico e’ la liberta’ contro gli elementi usuali ed il racconto.Appoggiarsi alla codice.aiuta alle realta’emozionali e toccabili, finche’ il lettore usi la sua intelligenza ed il suo talent per capire delle esperienze mentali<poi analizzare I codici.Sanollah Ebrahim, e’ uno dei romanzieri egiziani negli anni 60, che conosce benissimo questo tecnico e rappresenta con il suo romanzo, il confusamento dei problem reali nella societa’ con la realta’ mentali dei suoi personaggi nelle storie.Esso mostrando gli eventi passanti nel tempo presente e l’esperienza al future, ripete I suoi contenuti mentale e poi sfida la realta’ della societa’.keywords: Conscousness STREAM of mind, Stelking, Loopback, Free association